Friday, October 25, 2013

She has a cool charisma that you get carried grampian electronics away with, its called tongue in c


Cursed grampian electronics Danes. Is not it enough that they make better films, television, cheese and sausage than we? Should they also beat us when it comes to bury itself in the soil of American music?
Cursed Danes. Is not it enough that they make better films, television, cheese and sausage than we? Should they also beat us when it comes to bury itself in the soil of American music? Blues ports otherwise often well-meaning but pömsiga hands and becomes stelbensopererad Aland Ferry and betongröv far from everything grampian electronics slewing. Denmark is not necessarily the first country you think of when you hear the word blues. It cares not Thorbjørn Risager and his sexmannaband about. And they are right in. It is brave and refreshing with mostly self-written songs in a genre that is drawn with a tendency to lean more to the past than the present. The song also is good of course, is a grateful start. grampian electronics As a singer has Risager probably listened to Ray Charles more than once. Worse influences can definitely have. Delbert McClinton looming also over. The band are also jazz and funk with hints of New Orleans. This could mean that the music ends up, as they say, between two chairs. grampian electronics Or eight. But the mixture does not become a problem until the end result is not good. Blending John Coltrane, JJ Cale, ZZ Top and Bootsy grampian electronics Collins as if it were as obvious as chocolate cake and cream. And there is no counter-argument that will last. It is bilåkarblues, it's dance and it is after the band size and a number of solos, not a ton too much. Mr. Bad luck is based on the same småputtriga rhythm that makes Bob Dylan's latter-day masterpiece Love sick irresistible. Back home swings like a rattlesnake on a sun-warmed highway in Texas. And this is a version of Baby please do not go that had Van Morrison dropping chins. After a few songs, they have whipped up an atmosphere that many bands never reach. Nearly 100 gigs a year is paying off. Musicians and audience become one and the applause and cheers rise for each song. The band also has the good taste to include a horn section consisting of trumpet and saxophone. That makes it at times given space to think about sydstatssoul from such places with magical names like Muscle Shoals. Not least in tonight's grampian electronics two ballads, The End of Time and On my way. It's the honky tonk rhythm'n'bluesboogiewoogietjonkadong at it's best. Blue Autumn could not have started any better. And if the audience is not gone home cheering and dancing the well yet. Cursed Danes. OLA CLAESSON
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